Hi,
A Power Chord is a chord that consist of the root and the fifth.
For example, to play a F Power Chord, you press the F note (root) and the C note (5th).
Now the exercise below is a triplet slap exercise.
---------5(p)--------7(p)---------9(p)-------
--0-(h)3------0-(h)5------0-(h)7------------
----------------------------------------------
----------------------------------------------
Practice slowly and gradually increase the speed.
Have Fun.
Saturday, May 01, 2010
Friday, April 02, 2010
Open Hammer Pluck
Hi,
Just to follow up on the previous post.
If you gave it a try, you will be surprise how fast you can play with little effort.
Now let's try another technique called the open hammer pluck.
All you need to do is add a pluck after the open hammer.
------------6(p)--------8(p)--------9(p)---
--------------------------------------------
----0-4(h)-----0-6(h)------0-7(h)---------
--------------------------------------------
Have fun!
Just to follow up on the previous post.
If you gave it a try, you will be surprise how fast you can play with little effort.
Now let's try another technique called the open hammer pluck.
All you need to do is add a pluck after the open hammer.
------------6(p)--------8(p)--------9(p)---
--------------------------------------------
----0-4(h)-----0-6(h)------0-7(h)---------
--------------------------------------------
Have fun!
Monday, March 01, 2010
How to sound fast?
Hi,
There are many ways to sound fast in your bass playing but what I would like
to share is to make use of the open hammer-on.
You may like to use your thumb (slap) to play this exercise.
----------------------------------------
-----------------0-5-7-----------------
---------0-5-7----------0-5-7---------
-0-5-7-------------------------0-5-7--
The above is a simple Em Pentatonic Scale.
Use your thumb to strike the string, than you can use your left index finger to fret the note followed by the hammer-on using your ring finger.
Have fun.

There are many ways to sound fast in your bass playing but what I would like
to share is to make use of the open hammer-on.
You may like to use your thumb (slap) to play this exercise.
----------------------------------------
-----------------0-5-7-----------------
---------0-5-7----------0-5-7---------
-0-5-7-------------------------0-5-7--
The above is a simple Em Pentatonic Scale.
Use your thumb to strike the string, than you can use your left index finger to fret the note followed by the hammer-on using your ring finger.
Have fun.

Labels:
General,
hammer-on,
pentatonic scale,
Tips
Monday, February 01, 2010
9th Chord

Hi,
There are some players who are confuse with the 9th chord and I hope to explain clearly here.
The notes in a C major scale are - C D E F G A B C ( 1 2 3 4 5 6 7 8(1) )
The notes in a Cmaj 7 chord are - C E G B (1 3 5 7)
The notes in a C7 chord are - C E G Bb (1 3 5 b7)
To play a 9th chord, it is simple.
For a Cmaj 9, the notes are - C E G B D (2+7 =9)
For a C9 , the notes are - C E G Bb D
So do not mix up Cmaj9 and C9.
Hope this helps.
Cheers
Labels:
chords,
General,
Theory,
Useful to build bassline
Sunday, January 03, 2010
Basic Paradiddle on Bass
Hi,
A paradiddle is a drum rudiment which consist of a four-note pattern of the form Right Left Right Right(RLRR) or LRLL.
This pattern can help us improve our rhythmic and percussive style of slapping.
Let's try this pattern on the bass where "R" is your right hand slap thumb and "L" is using your left hand to slap the fretboard.
Slapping with your left hand on the fretboard requires some practicing.
Now try the pattern RLRR LRLL and repeat it.
To get the percussive feel, mute all the notes.
Once you are more comfortable, you can increase the speed.
Experiment and you will be surprise what you can do.
Cheers
A paradiddle is a drum rudiment which consist of a four-note pattern of the form Right Left Right Right(RLRR) or LRLL.
This pattern can help us improve our rhythmic and percussive style of slapping.
Let's try this pattern on the bass where "R" is your right hand slap thumb and "L" is using your left hand to slap the fretboard.
Slapping with your left hand on the fretboard requires some practicing.
Now try the pattern RLRR LRLL and repeat it.
To get the percussive feel, mute all the notes.
Once you are more comfortable, you can increase the speed.
Experiment and you will be surprise what you can do.
Cheers
Thursday, December 31, 2009
Bass Sessionz Vol 1
Hi,
Very good bass players in this video.
Enjoy.
Very good bass players in this video.
Enjoy.
Labels:
Bass player,
General,
Solo
Tuesday, December 22, 2009
Basic Improvisation

Hi,
I would like to share a simple tip on improvising on the bass.
When we improvise or solo, one best way is to play chord tone but not using the root note.
e.g. When the harmony is an Am7 chord, instead of playing the root (A), we can play the
third (C) or fifth (E) or seventh (G).
I'm sure most of you are familiar with that.
Now the fun think is using the similar concept and apply it over chord changes.
Let say you want to improvise or solo over Am7 D7, the common approach is to play the
Am7 arpeggio followed by D7 arpeggio.
Instead of doing that, try playing a C arpeggio over the above chord changes.
Notice that C is the third of Am7 and seventh of D7.
To sound nice depend on your "landing".
Hope this approach can open more ideas for creative playing.
Cheers,
Wednesday, December 02, 2009
Inversion Chords

Hi,
I was playing with a song with chords like these recently:
E E7 A Am7
If the bass just play the root note, it will be quite boring.
What I did was to play the inversion.
E E7/D A/C# Am7/C
It's a natural walk down bass line and much more interesting than just playing root.
Give it a try.
Cheers
Labels:
chords,
improvise,
Theory,
Tips,
Useful to build bassline
Wednesday, November 25, 2009
Major Pentatonic Scale (Start on the 3rd)
Hi,
Previous lesson we covered playing the Major Pentatonic Scale starting on the 5th.
This time round, we will try starting on the 3rd.
Major Pentatonic Scale is derived from the Major Scale.
Just skip the 4th and 7th note of the Major Scale.
e.g. C major Scale - C D E F G A B C
C Major Pentatonic Scale - C D E G A
------------------------12--14-----
-----------------12--14------------
----------12--15-------------------
--12--15---------------------------
The notes are E G A C D E G A
Have Fun.
Previous lesson we covered playing the Major Pentatonic Scale starting on the 5th.
This time round, we will try starting on the 3rd.
Major Pentatonic Scale is derived from the Major Scale.
Just skip the 4th and 7th note of the Major Scale.
e.g. C major Scale - C D E F G A B C
C Major Pentatonic Scale - C D E G A
------------------------12--14-----
-----------------12--14------------
----------12--15-------------------
--12--15---------------------------
The notes are E G A C D E G A
Have Fun.
Labels:
improvise,
pentatonic scale
Wednesday, November 04, 2009
Chord Tone Proximity

Hi,
Chord Tone Proximity is something that bassists, Gary Willis and Victor Wooten had talk about.
You're never more than a whole step from a chord tone. Take for example a C7 Chord.
The notes are C E G Bb. You can't find a note that's more than a whole step from any of these notes.
Which means you are just either half a step or whole step away from the "right" note.
Hope this helps.
Sunday, October 04, 2009
Major Pentatonic Scale (start on the 5th)

Major Pentatonic Scale is derived from the Major Scale.
Just skip the 4th and 7th note of the Major Scale.
e.g. C major Scale - C D E F G A B C
C Major Pentatonic Scale - C D E G A
The exercise below starts the C Major Scale on the 5th (G).
All the notes are still inside your C Major Scale and by starting
on the 5th, it gives a different voicing and sort of allow us to have more notes to apply.
Give it a try.
|--2--|-----|-----|--5--|
|--2--|-----|-----|--5--|
|-----|--3--|-----|--5--|
|-----|--3--|-----|--5--|
Have fun!
Labels:
improvise,
pentatonic scale,
Solo,
Useful to build bassline
Wednesday, September 02, 2009
Ghost Note Exercise
Hi,
I find the below exercise useful to practice ghost note.
Ghost notes are muted notes that can be achieve when you lightly touch the fretboard
with your left hand and pluck/slap/pop with your right hand.
Practice the exercise with plucking first than slap. The "X" is the ghost note.
Make sure the harmonics do not ring out.

Enjoy
I find the below exercise useful to practice ghost note.
Ghost notes are muted notes that can be achieve when you lightly touch the fretboard
with your left hand and pluck/slap/pop with your right hand.
Practice the exercise with plucking first than slap. The "X" is the ghost note.
Make sure the harmonics do not ring out.

Enjoy
Labels:
funk,
General,
gho,
ghost note,
Useful to build bassline
Monday, August 10, 2009
Monday, August 03, 2009
Funk Groove Part 2
Hi,
Another easy and cool funk groove for you to practice and apply.

You can shift the pattern to suit the chords played.
For the above example, get your musician to play an A and D chord (1 4 progression)
Have fun.
Another easy and cool funk groove for you to practice and apply.

You can shift the pattern to suit the chords played.
For the above example, get your musician to play an A and D chord (1 4 progression)
Have fun.
Labels:
funk,
General,
Groove,
Useful to build bassline
Friday, July 03, 2009
Power Chords
Hi,
Power chords is the most used chords on guitar and can be used on Bass as well.
The best thing about power chord is that the fingering is the same for major or minor chords.
You can choose to pluck, slap or strum the chords on the bass.
Just play the root and the 5th. e.g. C power chord = C + G
Below is a 6 4 1 5 chord progression in key of C.
Some of you might find this tune familiar :)

Have fun.
Power chords is the most used chords on guitar and can be used on Bass as well.
The best thing about power chord is that the fingering is the same for major or minor chords.
You can choose to pluck, slap or strum the chords on the bass.
Just play the root and the 5th. e.g. C power chord = C + G
Below is a 6 4 1 5 chord progression in key of C.
Some of you might find this tune familiar :)

Have fun.
Labels:
chords,
General,
Groove,
improvise,
plucking,
power chords,
Solo,
Theory,
Tips,
Useful to build bassline
Wednesday, June 03, 2009
Simple ii V I Progression Using Chord Tone

ii V I progression in the key of C is Dm7 G7 Cmaj7
For the above exercise, the notes are all within the chords itself.
This is an easy way to start learning walking bass as well.
Notice that the first note I played on the Cmaj7 is a E note instead of the root.
Since my last note on the G7 chord is a F, it will sound more smooth going to E which is the 3rd of a Cmaj7 chord.
It is not necessary to always land on the root note of the chord.
Experiment and have fun.
Cheers
Labels:
chords,
Useful to build bassline,
walking bass
Sunday, May 17, 2009
Slow Funk
Hi,
A simple slow funk exercise where you can repeat over and over again.

Don't rush and try to feel the groove.
Have fun.
A simple slow funk exercise where you can repeat over and over again.

Don't rush and try to feel the groove.
Have fun.
Labels:
General,
Groove,
Useful to build bassline
Monday, May 04, 2009
Thursday, April 23, 2009
Diatonic Harmony
Hi,
The term diatonic means that the notes come from the same key.
Chords and notes that fall outside those made from these scales are not diatonic.
In the key of G major,the seven notes are– G, A, B, C, D, E, and F#.
A Cmaj7 is a diatonic chord in the key of G major since the notes are - C E G B which fall inside the G major scale.
A Cm7 is not a diatonic chord in the key of G major since the notes are - C Eb G Bb,
where Eb and Bb fall outside of the G major scale.
Hope this is clear.
Thanks
The term diatonic means that the notes come from the same key.
Chords and notes that fall outside those made from these scales are not diatonic.
In the key of G major,the seven notes are– G, A, B, C, D, E, and F#.
A Cmaj7 is a diatonic chord in the key of G major since the notes are - C E G B which fall inside the G major scale.
A Cm7 is not a diatonic chord in the key of G major since the notes are - C Eb G Bb,
where Eb and Bb fall outside of the G major scale.
Hope this is clear.
Thanks
Labels:
chords,
Theory,
Tips,
Useful to build bassline
Friday, April 03, 2009
Dominant 7th
Hi,
Dominant 7th Chord is frequently used in many genres especially in Blues.

The above example is the pattern and notes for G dominant 7th chord.
All you need to do is study the fingering pattern and you can form other dominant chords easily.
Formula for Dom7th chord - 1 3 5 b7
G7 chord consist of G, B, D, F.
As for finger position you can try:
R (middle)
3 (index)
5 (last)
b7(middle)
Have fun.
Dominant 7th Chord is frequently used in many genres especially in Blues.

The above example is the pattern and notes for G dominant 7th chord.
All you need to do is study the fingering pattern and you can form other dominant chords easily.
Formula for Dom7th chord - 1 3 5 b7
G7 chord consist of G, B, D, F.
As for finger position you can try:
R (middle)
3 (index)
5 (last)
b7(middle)
Have fun.
Labels:
chords,
Theory,
Useful to build bassline
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