C Major Scale Slapping Groove

Hi,

Recently I was playing around with my bass and came out with this simple exercise which sounded quite impressive when I slowly increased the tempo.





The notes from the above exercise are all in the C major scale.

Please note that the ghost note(x) is crucial for this exercise.
Make sure that you do not skip it.

(h) is hammered on. This technique will help you play fast when you slap.

Do practice this exercise using finger plucking as well.

Have fun!

Minor ii V i

Hi,

This is part 2 of using Chords to play ii V I

Instead of playing Dm7 G7 Cmaj7 which is ii V I,

for the minor ii V i, try Dm7(b5) G7 Cm7.

This is how a Dm7(b5) looks like on a 4 string bass.

---10----
---10----
---11----
---10----

I love the sound, hope you like it too.

Cheers

Tapping a Minor 9th Chord

Hi,

Bass player can play like a pianist on the fretboard by using the tapping technique.

This exercise will show you the arpeggio of a Gmin9 chord.

The notes are G on the 15th fret (E string), D on the 17th fret (A string), A on the 19th fret (D string) and Bb on the 15th fret (G string).








Use your left hand to tap the G note, followed by your right hand on the D and A note and the Bb with your right hand.

Beautiful sound!

Enjoy.

Using Chords to play ii V I

Hi,

A simple way of playing the ii V I progressions using chords on bass.








You will notice that the 5th is not used and you still get the jazz sound.

Have fun.

Chromatic Approach - Walking bass

Hi,

Chromatic approach note is where you play a note above or below the targeted note.

Here is an example of how we can play a common jazz progression with the chromatic approach.








The note inside the bracket is the chromatic note.

Hope this helps.

Have fun.

Double Tap

Hi,

Here is a simple double tap exercise to make the bass more interesting.






Use your right hand (index and middle) fingers to simultaneously press on the 12th fret D and G string. Play around with rhythmic patterns.

Hope this exercise will help you explore more ways to create music with bass.

Cheers

3 Positions for G Major 7

Hi,

The exercise below will help us to understand the fretboard and explore more ways to play the Gmaj 7 arpeggio.













The proposed fingering can be changed to your preference.

Do try the fingering on other major chords like Cmaj7 and etc.

Have fun.

D Melodic Minor Scale

Hi,

Most of us are familiar with the Natural Minor Scale (Aeolian) but seldom practice the Melodic Minor Scale.

The formula for Melodic Minor Scale is 1 2 b3 4 5 6 7

Therefore the D Melodic Minor Scale will be D E F G A B C#





A simple exercise to try this scale is over the II V I progression in C

The chords are Dm7 G7 Cmaj7.

When the musicians play a G7 chord, try playing the D Melodic Minor Scale.

It is equivalent to a G dominant Lydian Scale. Sound even more jazzy now!

Have fun.

Minor Pentatonic Exercise

Hi,

If you are bored of playing the same minor pentatonic scale over and over again, try the below exercise.

It is quite a good stretch and breaks away from the standard pattern.

This is the C Minor Pentatonic Scale.




Try reversing the exercise from the 15th fret back to the 3rd fret.

Have fun.

Walking Bass Without Root

Hi,

Before reading this lesson, you might want to review Basic Walking Bass and Simple ii V I Progression Using Chord Tone.

As I already explained before about using chord tone to construct our walking bass lines, today's exercise is similar but no root note is used.

To avoid using the root note is challenging but the bass lines produced is more interesting.

Below is a simple ii V I IV Jazz progression in key of D.








I used the 3rd as the first note of the chord.

E.g. The notes in Em7 are E(root) G(3rd) B(5th) D(7th).

The first note I used for Em7 is G.

You can choose to play the line on a lower register.

Hope this is clear.

Cheers

Bass Clef

The first step to sight reading is to know the notes within the staff.

Some music books use phrases like Good Boys Don't Fight (G B D F) and All Cows Eat Grass (A C E G).

For me, I recognize by chords.

G B D F is a G7 chord and A C E G is an Am7 chord.

Whichever works for you, use it.

Start reading something simple before going into complicated rhythms.

Cheers

Minor Chord Substitution

Chord Substitution is common in our music today.

We can replace a chord with another related chord.

Often the substituted chord differs by one or two notes from the original chord.

Before you read this post, it will be good to take a look at my previous lesson - Introduction to Chords Substitution

For example, we can replace an Am7 chord with a Fmaj7 chord.

The notes in the Am7 chord are: A C E G

In the Fmaj7 chord the notes are: F A C E

There is only one note difference between these two chords.

If we have an Em7 chord, we can replace it with a Cmaj7 chord.

You can also replace the Em7 chord with a Gmaj7 chord.

The notes in the Em7 are: E G B D and G B D F# for Gmaj7.

Again the difference is only in one note. You can call this a relative chord.

Hope this helps.

Universal 9 Volt DC Power Supply

Recently I bought an effect pedal and realize that the adapter that comes with it supply only 120v but my country uses 220-240v.

To get a transformer to step up could be quite troublesome and bulky.

I found out that we can use an Universal 9 Volt DC Power Supply.

The auto-sensing circuitry runs off 100-240 volts and can use it anywhere in the world.

Take up only one outlet space and makes it easy to travel.

You can check out '1 Spot' by Visual Sound or 'Power All' by Godlyke.

Hope this information is useful.

Improvise using the 5th

Hi,

We are going to take a look at using the 5th of the chord tones when we improvise.

This lesson helps us to break away from landing on the root especially during solos.

For example if the chord is a Cmaj7, you can land on the G since it is still within the chord tones.

Now try playing the G Arpeggio.

The notes in the G Arpeggio are G, B and D (end with G octave).

G is the 5th of Cmaj7, B is the 7th of Cmaj7 and D is the 9th of the chord.

Have fun.

Right Hand Technique ( 3 fingers)

Hi,

I would like to share with you the 3 fingers technique which I am trying to improve and apply.

The plucking concept is similar to that of playing on a classical guitar.

You can check out Bass players like Dominique Di Piazza and Damian Erskine for more applications and examples.








T - Thumb
m - middle finger
i - index finger

Practice slow and gradually increase the speed.

Have fun!

Playing Chords on Bass (3 positions)

Hi,

We know that a basic chord is formed by 1 3 5.

For example, the notes in an A chord will be A (1) C# (3) E (5).

I have tabbed out three different positions of an A chord.

Some of you will know them as inversions.







Remember the shape and shift it around to play other chords.

Hope this is clear.

Have fun.

G Major Scale Exercise

Hi,

The exercise below is an alternate way to practice the G major scale.

Sometimes when you improvise in the key of G, this pattern can be quite useful.





This will help you to be more familiar with the fretboard.

You can practice playing backward as well.

Have fun

Choosing a 4, 5 or 6 String Bass

Dear all,

This video by Russ Rodgers is a good introduction for beginners who are deciding what basses to get.



Hope this is helpful

Cheers

C7 Chord Arrpegio

Hi,

The dominant chord is very common in most genre of music like blues, funk and gospel.

It is important as bass player to know the pattern and notes of a chord.

The chart below shows the notes in a C7 Arrpegio.






The notes in a C7 chord are C (root) E (3rd) G (5th) Bb (b7).

Practice this pattern and slowly move up the frets to find the other notes in the chord.

Have fun.

Double 5th Exercise

Dear friends,

If G is "I", the "V" is D

If D is "I", A is the "V"

The exercise below is useful when you are playing a lick in G.






All the notes are from the G major scale.

From the G on the 3rd fret of the E string to the G on the 12th fret of the G string.

Try this out and play some variation.

Cheers

Basic Bass Chords Chart

Hi,

Playing chords on the bass is easy, fun and nice.

We know that a major chord has a formula of 135.

Example in a G major chord, the notes that formed the chord is G B D (135).

G minor will be G Bb D (1 b3 5) and G Dominant will be G B D F (1 3 5 b7).

The 5th is not necessary when playing a bass chord.

The chart below will give you a good introduction of playing chords on bass.











Have Fun.

Funk and Blues using Dominant 7

Hi,

This is a simple exercise for those who are exploring funk and blues.

The dominant 7 chords are frequently used in these genres.

The exercise below can be played over a A7 and D7 progression.






You may want to add some bending and sliding to create more feel.

You can practice the above as a slapping exercise as well.

Have fun.

Introduction to Chords Substitution

Hi,

This post is an attempt to understand basic chords substitution.

This is useful when the chords for both the verse and chorus of a song are the same.

Let's list down the chords in G major.

I II III IV V VI VII
Gmaj7 Am7 Bm7 Cmaj7 D7 Em7 F#m7(b5)

For example, the chords of a song uses I VI IV V progression.

The chords will be Gmaj7 Em7 Cmaj7 D7.

We can substitute I with III.

Instead of playing Gmaj7, we change to Bm7.

The new progression will be Bm7 Em7 Cmaj7 D7

The notes in a Gmaj7 are G B D F#

The notes in a Bm7 are B D F# A

Out of 4 notes, 3 are the same, therefore it will sound correct.

Hope this helps.

Have fun.

Arpeggios 3rd

Hi,

When we are playing bass, sometimes it is good to start on the root but end on the 3rd (10th)

How do you do it?

Let say you want to improvise over a G chord.

You can follow the notes below:

--------------------------------------------
-------------------------5(root)---9 (10th)-
---------2(3rd)--5(5th)--------------------
-3(root)------------------------------------

You will be surprise by this simple technique.

Cheers

Power Chord Slap

Hi,

A Power Chord is a chord that consist of the root and the fifth.

For example, to play a F Power Chord, you press the F note (root) and the C note (5th).

Now the exercise below is a triplet slap exercise.


---------5(p)--------7(p)---------9(p)-------
--0-(h)3------0-(h)5------0-(h)7------------
----------------------------------------------
----------------------------------------------

Practice slowly and gradually increase the speed.

Have Fun.

Open Hammer Pluck

Hi,

Just to follow up on the previous post.

If you gave it a try, you will be surprise how fast you can play with little effort.

Now let's try another technique called the open hammer pluck.

All you need to do is add a pluck after the open hammer.

------------6(p)--------8(p)--------9(p)---
--------------------------------------------
----0-4(h)-----0-6(h)------0-7(h)---------
--------------------------------------------

Have fun!

How to sound fast?

Hi,

There are many ways to sound fast in your bass playing but what I would like

to share is to make use of the open hammer-on.

You may like to use your thumb (slap) to play this exercise.

----------------------------------------
-----------------0-5-7-----------------
---------0-5-7----------0-5-7---------
-0-5-7-------------------------0-5-7--

The above is a simple Em Pentatonic Scale.

Use your thumb to strike the string, than you can use your left index finger to fret the note followed by the hammer-on using your ring finger.

Have fun.

9th Chord

Hi,

There are some players who are confuse with the 9th chord and I hope to explain clearly here.

The notes in a C major scale are - C D E F G A B C ( 1 2 3 4 5 6 7 8(1) )

The notes in a Cmaj 7 chord are - C E G B (1 3 5 7)

The notes in a C7 chord are - C E G Bb (1 3 5 b7)

To play a 9th chord, it is simple.

For a Cmaj 9, the notes are - C E G B D (2+7 =9)

For a C9 , the notes are - C E G Bb D

So do not mix up Cmaj9 and C9.

Hope this helps.

Cheers

Basic Paradiddle on Bass

Hi,

A paradiddle is a drum rudiment which consist of a four-note pattern of the form Right Left Right Right(RLRR) or LRLL.

This pattern can help us improve our rhythmic and percussive style of slapping.

Let's try this pattern on the bass where "R" is your right hand slap thumb and "L" is using your left hand to slap the fretboard.

Slapping with your left hand on the fretboard requires some practicing.

Now try the pattern RLRR LRLL and repeat it.

To get the percussive feel, mute all the notes.

Once you are more comfortable, you can increase the speed.

Experiment and you will be surprise what you can do.

Cheers

Bass Sessionz Vol 1

Hi,

Very good bass players in this video.

Enjoy.

Basic Improvisation

Hi,

I would like to share a simple tip on improvising on the bass.

When we improvise or solo, one best way is to play chord tone but not using the root note.

e.g. When the harmony is an Am7 chord, instead of playing the root (A), we can play the

third (C) or fifth (E) or seventh (G).

I'm sure most of you are familiar with that.

Now the fun think is using the similar concept and apply it over chord changes.

Let say you want to improvise or solo over Am7 D7, the common approach is to play the

Am7 arpeggio followed by D7 arpeggio.

Instead of doing that, try playing a C arpeggio over the above chord changes.

Notice that C is the third of Am7 and seventh of D7.

To sound nice depend on your "landing".

Hope this approach can open more ideas for creative playing.

Cheers,

Inversion Chords

Hi,

I was playing with a song with chords like these recently:

E E7 A Am7

If the bass just play the root note, it will be quite boring.

What I did was to play the inversion.

E E7/D A/C# Am7/C

It's a natural walk down bass line and much more interesting than just playing root.

Give it a try.

Cheers

Major Pentatonic Scale (Start on the 3rd)

Hi,

Previous lesson we covered playing the Major Pentatonic Scale starting on the 5th.

This time round, we will try starting on the 3rd.

Major Pentatonic Scale is derived from the Major Scale.

Just skip the 4th and 7th note of the Major Scale.

e.g. C major Scale - C D E F G A B C
C Major Pentatonic Scale - C D E G A

------------------------12--14-----
-----------------12--14------------
----------12--15-------------------
--12--15---------------------------

The notes are E G A C D E G A

Have Fun.

Chord Tone Proximity

Hi,

Chord Tone Proximity is something that bassists, Gary Willis and Victor Wooten had talk about.

You're never more than a whole step from a chord tone. Take for example a C7 Chord.

The notes are C E G Bb. You can't find a note that's more than a whole step from any of these notes.

Which means you are just either half a step or whole step away from the "right" note.

Hope this helps.

Major Pentatonic Scale (start on the 5th)

Major Pentatonic Scale is derived from the Major Scale.

Just skip the 4th and 7th note of the Major Scale.

e.g. C major Scale - C D E F G A B C
C Major Pentatonic Scale - C D E G A

The exercise below starts the C Major Scale on the 5th (G).

All the notes are still inside your C Major Scale and by starting

on the 5th, it gives a different voicing and sort of allow us to have more notes to apply.

Give it a try.

|--2--|-----|-----|--5--|
|--2--|-----|-----|--5--|
|-----|--3--|-----|--5--|
|-----|--3--|-----|--5--|

Have fun!

Ghost Note Exercise

Hi,

I find the below exercise useful to practice ghost note.

Ghost notes are muted notes that can be achieve when you lightly touch the fretboard
with your left hand and pluck/slap/pop with your right hand.

Practice the exercise with plucking first than slap. The "X" is the ghost note.

Make sure the harmonics do not ring out.





Enjoy

Abraham Laboriel & Justo Almario

Thank You Jesus

Funk Groove Part 2

Hi,

Another easy and cool funk groove for you to practice and apply.






You can shift the pattern to suit the chords played.

For the above example, get your musician to play an A and D chord (1 4 progression)

Have fun.

Power Chords

Hi,

Power chords is the most used chords on guitar and can be used on Bass as well.

The best thing about power chord is that the fingering is the same for major or minor chords.

You can choose to pluck, slap or strum the chords on the bass.

Just play the root and the 5th. e.g. C power chord = C + G

Below is a 6 4 1 5 chord progression in key of C.

Some of you might find this tune familiar :)






Have fun.

Simple ii V I Progression Using Chord Tone

ii V I progression in the key of C is Dm7 G7 Cmaj7

For the above exercise, the notes are all within the chords itself.

This is an easy way to start learning walking bass as well.

Notice that the first note I played on the Cmaj7 is a E note instead of the root.

Since my last note on the G7 chord is a F, it will sound more smooth going to E which is the 3rd of a Cmaj7 chord.

It is not necessary to always land on the root note of the chord.

Experiment and have fun.

Cheers

Slow Funk

Hi,

A simple slow funk exercise where you can repeat over and over again.







Don't rush and try to feel the groove.

Have fun.

Using 9th

Hi,

This bassline make use of 9th. Get your friend to play a G chord and C chord.






Have fun.

Diatonic Harmony

Hi,

The term diatonic means that the notes come from the same key.

Chords and notes that fall outside those made from these scales are not diatonic.

In the key of G major,the seven notes are– G, A, B, C, D, E, and F#.

A Cmaj7 is a diatonic chord in the key of G major since the notes are - C E G B which fall inside the G major scale.

A Cm7 is not a diatonic chord in the key of G major since the notes are - C Eb G Bb,
where Eb and Bb fall outside of the G major scale.

Hope this is clear.

Thanks

Dominant 7th

Hi,

Dominant 7th Chord is frequently used in many genres especially in Blues.








The above example is the pattern and notes for G dominant 7th chord.
All you need to do is study the fingering pattern and you can form other dominant chords easily.

Formula for Dom7th chord - 1 3 5 b7

G7 chord consist of G, B, D, F.

As for finger position you can try:
R (middle)
3 (index)
5 (last)
b7(middle)

Have fun.

Guitar plucking on Bass

Hi,

Bass can sound melodic too.

This article talks about plucking the bass like a guitar.








Use your thumb to hit the root note, follow by your index finger plucking on the open D string and middle finger plucking on the open G string.

For the left hand, you can use your index finger to fret the root note, ring finger to fret the open D string and last finger to fret the open G string.

Follow the above tab and you should be able to get what I'm trying to say.

Have fun.

Basic Flea Slap Style

Hi,

For those who are interested in Flea's slap style, this lesson is a good starter.







Slap on the C and hammer on to D, followed by a mute slap and pop.

The mute slap and pop is crucial to create the percussive feel.

Try it slow and as you increase the speed, you will be amazed that such a simple exercise make you sound so experience.

Enjoy!

Relative Scale

Hi,

Every major scale has a relative minor scale and every minor scale a relative major.

They share the same notes.

For example, a G major scale and a E minor scale are relative scales.

The notes in a G major scale are - G A B C D E F# G (G Ionian)

The notes in a E minor scale are - E F# G A B C D E (E Aeolian)

The different is the starting note.

The root of the relative minor is always the sixth note of the major scale.

The root of the relative major is always the third note of the minor scale.

This work for all the keys. Let's try key of C.

The notes in a C major scale are - C D E F G A B C (C Ionian)

The notes in a A minor scale are - A B C D E F G A (A Aeolian)

Have fun

Chord Tone Improvisation

Hi,

One of the best ways to create bassline is by using chord tone,which are the notes in a chord.

Let use Cmaj7 for an example.

The notes in a Cmaj7 are C E G B (1 3 5 7).

What people tend to do is when the other musicians strike a Cmaj7 chord, we bass player naturally play the C, which is the root note,or sometimes followed by E -> G-> B than to the next chord.

You can start simple improvisation by experimenting different placement of the note. i.e 3 1 5 7 or 5 1 3 7, or 3 5 1 7 or 7 5 3 1 and which ever ways you can come out with.

By doing this, you will break the fix pattern of playing 1->3->5->7.

Hope this helps.

Have fun

Arpeggio Exercise

Hi,

Arpeggio is playing the notes in a chord one by one instead of simultaneously.

In a G chord, the notes are G B D.

This arpeggio exercise is in G and helps to make it sound more interesting.






Hopefully this can give you some ideas to use arpeggio to create your bassline.

Have fun.

G Major Scale Octave Exercise

Hi,

This G major Scale Octave exercise can help you to practice for Stanley Clarke's "School Day".

First you try to play it using finger style, next move to slapping and popping.






When you pop, try to keep the note short.

Try to practice it with a drum machine or metronome.

Have Fun.

Different Tuning

Hi,

Most 4 string bass player will probably tune their bass with the standard E A D G.

We are expose to players like Stanley Clarke and Victor Wooten who tuned their bass to
A D G C(tenor bass).

Some people wonder if they are to tune the G string up to C or how?

For me, I will buy the high C string from a 6 string pack and use it instead.
Another common tuning is the drop D - D A D G. Either you can manually tune down to D or fix in the Drop D hipshot.

Standard 5 string bass tuning is B E A D G, but you can also tune it to E A D G C (standard+tenor bass). Many bassists tune it this way as they wanted to do more melodic stuff on their bass like Steve Swallow and Dominique Di Piazza.

I also see some people tune their 5 string to A E A D G(Drop D concept).

Standard 6 string tuning is B E A D G C. You can also tune it E A D G C F or F# B E A D G.
I personally haven't tried it before but I'm sure it is nothing new.

Michael Manring Hyper Bass is another interesting instrument where the tuning is C F Bb Eb.
Different songs he will tune it differently. He is so scary.
You guys can read up more if you like.

Cheers

SMV Thunder Tour (Singapore)

It was my privilege to witness the historical assemblage of Stanley Clarke, Marcus Miller and Victor Wooten in their once-in-a-lifetime Asian tour.

Nothing beats watching them real live on stage.

Most of the songs played were from their Thunder album.

I personally enjoyed Marcus's bass clarinet playing and slapping tone, Victor's looping solo and Stanley's double bass percussive slap and solo.

The show ended with the famous "School Day" tune where the whole audience stood up and clap along.

I believe most musicians that attended the concert is further motivated to bring music to a higher level.

Cheers

Basic Harmonics

Hi,

Adding harmonics in your bass playing can be pretty musical.

The example given show a note pressed and the <5> is harmonics on the 5th fret.

You just need to place your finger lightly against the string but not touching the fret.

Try plucking it nearer to the bridge pickup and have a higher treble setting on your amp.

If successful, you will hear an unique chime sound.







For more advance study, please listen to:
1. Jaco Pastorius
2. Stu Hamm
3. Victor Wooten
4. Steve Bailey
5. Vail Johnson
6. Victor Bailey
7. Jeff Berlin
8. Billy Sheehan
9. John Myung
10. Michael Manring
11. and etc

Have fun

Melodic Minor Scale

Hi,

Another scale that you may want to consider having in your toolbox is the Melodic Minor Scale.

The notes in the C Major Scale - C D E F G A B C (you should know by now :))

The formula for Melodic Minor Scale - 1 2 b3 4 5 6 7 1(8) = C D Eb F G A B C

We can apply this scale on a minor chord but preferably not on a minor 7 chord. Try it on a Minor Maj7 Chord.

You can also apply the C Melodic Minor Scale on the (V7) which is G7 in the key of C

The notes in a G7 = G B D F, which are also inside the C Melodic Minor Scale.

You can try the D Melodic Minor Scale, F Melodic Minor Scale and the Ab Melodic Minor Scale.

Have fun.

Walk Down

Hi,

G D7 Em7 Bm7 C G Am7 D7

Find the above chord progression familiar? Maybe for some of you.

The natural approach for beginners are to play the root note.

To make things more smooth, we can use the walk down approach.

Something like this - G D7/F# Em7 Bm7 C G/B Am7 D7

Bassist will play the slash note on the right - e.g D7/F#, we play the F# note and let the guitarist or pianist play the D7 chord.

Some people call this "inversion".

Basically, instead of playing the root note which is D in the D7 chord,
we play the 3rd which is the F#.

As mentioned in our previous lesson, Dominant chord are formed by the formula 1 3 5 b7

D7 = D F# A C

Therefore we can use the G to D7/F# to Em7, creating a walk down.

Using the same approach we can apply it on the C G Am7 to become C G/B Am7

Since you can walk down, you can also walk up, depending on the chord progression.

Hope you enjoy this lesson.

Cheers

Funk Groove

Hi,

Here is a simple exercise for those who are interested to learn Funk.




Important thing to take note is the ghost note and the Funk feel.

Chromatic scale was used as well.

Have fun

2nd Dominant

Hi,

As some of you already know, the 5th degree in a Major scale family chord is a dominant chord.
I.e. G7 in the Key of C.

Looking at a common chord progression(1 6 2 5) in key of C , the chords are C Am7 Dm7 G7.

Now, playing the same progression, instead of playing the Am7, play a A7 chord.

You will notice that the voicing is even more jazzy, creating a tension.

That is an example of applying the 2nd dominant.

You can try also changing the Dm7 to a D7 chord, but perhaps play a Am7 instead of A7.

Experiment around.

Have fun.

Bass Workshop

Praise God for the first Bass workshop conducted on 1st June 2008.
There were sharing of good bass players in the world and watching their video.
There were teaching and discussion on melody, harmonics and techniques.
Most importantly, everyone enjoyed themselves.

Slap Exercise

Hi,

The key to slapping the bass and allowing people to enjoy and tap along with you, is by adding ghost notes to your playing.

The above is a cool slap groove which is not too complicated but yet a good practice.

Make sure that the ghost notes (X) can be heard.

Have fun

Rock Exercise

Hi,

This exercise is simple but yet fun when play fast.

Try it slow first and slowly build up the speed.

If you do not have a band or drum machine to practice with, can use an online metronome.

The basic chords are G C D C G.

Have you have queries, please feel free to email me.

Enjoy and have fun.

Blues Scale

Hi,

The blues scale is a pretty common scale and sometimes we use it without even realizing it.

Remember the pentatonic scale? Say G minor pentatonic, its G Bb C D F right?

You need to add a flat 5th into the minor pentatonic to form the blues scale.

So the G blues scale will be G Bb C C# D F.

Hope this information helps.

Cheers

7th chords

Hi,

Often you will see chords like Cmaj7 or Cm7 and etc.

Basically they are just chords with a 7th note.

As we already know, chords are formed by 1+3+5.

A Major 7th chord will be 1+3+5+7.
E.g Cmaj7 - C + E + G + B

For Minor 7th chord, it will be 1+b3+5+b7
E.g Cm7 - C + Eb + G+ Bb

For Dominant 7th chord, it will be 1+3+5+b7
E.g C7 - C E G Bb

How about Sus 7th chord? It will be 1 +4+5+b7
E.g C7sus - C F G Bb

Trying adding the 7th to your chord now. :)

Chords from Major Scale

Hi,

Chords are 2 or more notes pressed together simultaneously.

From the major scales, we can form 7 basic chords.

Let's take a look at the notes in the C major scale: C D E F G A B C

To form a basic chord, we can press the 1 and the 3 together.

If 1 = C ,E will be 3, we get a C chord.

Now we move to D. If D= 1 , F = 3, that is a Dm chord.

Next, E=1 than 3 must be G, that is a Em chord.

F=1, A=3, we get a F chord.

G=1, B=3, we get a G chord.

A=1, C= 3, that is a Am chord.

B=1, D=3, a Bm chord is formed.

The basic chords in a C major scales are: C Dm Em F G Am Bm C.

Some people play it this way: Cmaj7 Dm7 Em7 Fmaj7 G7 Am7 Bm7(b5) Cmaj7.

Have fun.

Minor Pentatonic Scale

Hi,

We have covered the major pentatonic scale in the previous post, let's take a look at the minor pentatonic scale.

Minor pentatonic scale consist of 5 notes from the minor scale.

The notes in a G minor pentatonic scale are: G Bb C D F (a common fingering pattern).

So when an instrument play the Gm or Gm7 chord, you can play the notes in the G minor pentatonic scale.

Have Fun.

Pentatonic Scale (Amazing Grace)

Hi,

One of the most useful scales that help guitarists and bass players is the pentatonic scale.

We will look into the major pentatonic scale for now.

Major pentatonic scale consist of 5 notes from the major scale.

The notes in G major pentatonic scale are : G A B D E (a common fingering pattern).

You can play the melody of the song, Amazing Grace by using the G major pentatonic scale.

If you would like to play using harmonics, find out the melody first,follow by the harmonics on the bass frets and pluck near the bridge pick up(turn up the treble).

Have Fun.

Dorian Groove

Hi,

This exercise is based on the G Dorian Scale.

Sound pretty interesting when you play it fast.

Here we go,

G Bb C, G C D, G E F, G F G, G

To make it more groovy, you can add a ghost note (X).

Like this,

G X Bb C, G X C D, G X E F, G X F G, G

Start slow and gradually increase the tempo.

Enjoy

Basic Walking Bass

Walking Bass lines are used in rock, blues, jazz, gospel and many other genres.

I would like to share the basic idea of building walking bass lines using chord tones.

Let's try playing a 4 chords progression in the key of G.

The chords are - Am7|D7 |Gmaj7| Cmaj7|.

We need to identify the notes in these chords.

Am7 - A C E G
D7 - D F# A C
Gmaj7 - G B D F#
Cmaj7 - C E G B

Now, each note is a quarter note (1/4).
The timing is like this - 1234|1234|1234|1234 (one note each).
The basic idea is always to play the root notes on the "1".
You can try different arrangement of the notes,
the exercise below is an example of what you can play.

e.g. ACEC|DCAF#|GBDG|CBDG

Get a guitarist to play along with you and experiment which notes sound better.

More complicated walking bass lines can be formed using modes,passing notes and need not start with the root note.

Have fun.

Famous Slapper

To be a good slapper on the bass, one need to have a good sense of rhythm and know what notes to hit (Ghost notes play a big part in funk slap style).

Would like to name a few good bass players whom we can study.

1) Stanley Clarke
2) Victor Wooten
3) Stu Hamm
4) Abraham Laboriel
5) Louis Johnson
6) Larry Graham
7) Mark King
8) Marcus Miller
9) Vail Johnson
10) Flea

There are many others in the world but these 10 listed are some of my favourites.

Play around with your amp settings, pickup selection, frequency cuts to get the tone you like.

Cheers

Night School

Hi,

For those who are familiar with Stanley Clarke, will surely know this song "School Day".

There is this part at his lastest DVD titled Night School, where many popular bass players improvise School Day with their style.

Some of the bass players include Stu Hamm, Brian Bromberg, Jimmy Johnson, Marcus Miller, Wayman Tisdale and etc.

Grab a copy now. :)

5 Steps for beginners

Recently I was sharing with some friends how to improve their playing.

I figure that most people these days just want to play but not learn the theory.

One reason I feel that theory is important - You will know what notes you can and cannot play.

Below are 5 steps to give self taught beginners a kick start.

1) Memorise the fretboard - Start with the first 5 frets (all strings) and slowly move up.

2) Learn the Major Chords and Scales ( Major Chord = 135, Major scale = 221 2221)

3) Practice plucking the strings alternating with 2 fingers (right hand)

4) Practice with a metronome / drum machine ( Start with 1 note per click)

5) Choose a song that you love and hear how the bassist play (Ask a friend or teacher to guide you)

Techniques like slapping, popping, tapping, chords, harmonics and etc are to help produce music.Learning to apply the techniques to your music is the challenge.

Internet resources, videos and books are your friends.
We are constantly learning new stuffs so don't feel pressure if you need more time. Email me if you need any elaboration.

Cheers

Minor chord family

Dear all,

Was great to see Stu Hamm performance live at the art house on 23rd August 07.

I think some who came were just accompanying their friends but nevertheless, I still enjoy myself.

For those who listen to Stu's music, you realize that he compose quite a lot of songs in minor key.

Let's refresh on the chords in the major key.

In the key of C - C Dm7 Em7 F G7 Am Bm7(b5) C

Try tapping that and you can play the Prelude in C.

Next the minor chord in key of A (based on A natural minor) - Am Bm7(b5) C Dm7 Em7 F G7 Am.

Do check out the minor chord family for Harmonic Minor and Melodic Minor.

Cheers,

Ben

Basic Tapping

Hi,

One way to make the bass sound more melodic is by playing chords.

Tapping can achieve a guitar plucking/piano playing type of sound.

The motion is similar as hammer on.

We will try a G chord for this explanation.
The 4 notes that you are going to tap are G (root) D (5th) G (octave) B (10th).
The fingering is similar as playing bar chord on the guitar.
Now your left hand fore finger on the root, followed by right hand fore finger on 5th , middle on octave and left ring finger on the 10th.

Give it a try :)

Melodic Lead Bass

Former NBA Star, Wayman Tisdale is one of the better and few bassists that play melodic lead lines throughout the whole song. Wayman Tisdale is a left handed player. If you like smooth jazz and sweet bass lines, than check him out.

The album "Way Up" is what he consider one of his most fulfill title so far.
For more information and sample of the album, please visit www.waymantisdale.com

Grooving for Heaven series

Hi,

For those who do not know Norm Stockton, you probably also didn't know that he produced 4 instructional DVDs called the Grooving for Heaven Series.

I encourage all beginners to grab volume 1 and learn the basics techniques and theory. If you have benefited from it, then try vol 2-4.

Do note that the notation are sold separately.

You can take a look at the video example from http://www.normstockton.com

Have fun!